Everyone
who has done any writing classes or read around on the topic will
know that teachers/authors always have exercises for you to do. These
are to train up particular technical aspects of writing. Some are
quite helpful, some come at the wrong time and are annoying as they
don't answer your specific problems.
These
exercises are not like that.
Once
again I turn to my new old friend, Dorothea Brande 'On Becoming a
Writer'. As mentioned before, her intention is not to talk about the
actual technical side of writing, but the more practical and
developmental aspects of turning yourself into the sort of person who
sits down for sustained periods of time and writes, and then
continues to write even when they aren't sure it's working or when
better offers come along.
Of
course the technical aspects at some stage will be important.
Though as a side note, Stephen King argues in his memoir 'On
Writing', that there are four levels of writing: a bad writer,
competent, good and brilliant. If you are a competent writer, you can
learn and train to become a good writer. However, if you are a bad
writer, that is pretty much that, and unfortunately there is no way
to train yourself from good to brilliant. However, before you can
even know if you are good, bad or brilliant, you need to be able to
sit down and write.
For
a long time I thought I couldn't be a writer because I didn't seem to
get those brilliant flashes of inspiration that sent you flying to
your study, doors locked, and scribbling for days on end. And so I
found I didn't write very much at all. This image of the inspiration
driven writer is actually a bit of a myth. It is now my belief that
this might be true for a very select few, who probably have a lot of
experience of just sitting down and writing particularly in the early
stages. For the majority of great writers their life was making
themselves write. The skill of being able to sit down on command and
write is therefore one of the most precious a new writer can
cultivate. As someone once said (sorry to the person I'm now stealing
from because I can't remember who you are, but I at least acknowledge
it's not my line):
Bad
pages can be made better, blank pages cannot.
If
you can train yourself to sit down and write, then you can work out
the technical stuff later. If you have all the technical stuff sorted
but can't sit down and write, you will never be a writer.
So,
after that introduction, let me present for you Dorothea's 2
Essential Exercises for Becoming a Writer. After doing these for a
month or so (I just made that time frame up, but it seems good) you
will be able to work out two very important things: 1. Should you be
a writer. 2. What you naturally like to write.
With
those brilliant promises, the first exercise:
For
a month, everyday, the moment you wake up, start writing. This is not
'start writing your great opus'. This really is 'start writing
whatever is on your mind'. And keep writing. Let your mind write
whatever it wants, don't refrain it. When you
start to dry up a bit, stop. Then you work out how much you wrote,
say it is 200 words or for 15 minutes. The next day, do exactly
the same thing, letting your mind write whatever it wants, not trying
to carrying on from last time. However this time, push yourself to
write a little bit more, either words or time.
The
important steps:
- Don't restrain your mind in what it wants to write.
- Do not read over what you have written for the period of the exercise (a month or so).
- Always try to write a bit more than the day before.
Before
I explain this exercise (beyond the obvious), let me outline the
second exercise:
This
is to be done within the same time frame of the first exercise. Every
night, before going to sleep, look at your plans for the next day and
schedule in a 15 minute block to write where ever is best. Then the
next day at a minute past that time you must be writing. If you are
in the middle of a conversation, well that was badly planned of you
and you must excuse yourself and walk away. Dorothea describes it as
a debt of honour. You must write exactly when you said you would
write and for the full fifteen minutes. She paints the delightful
image of the in training writer hiding out in a washroom with his
writing notebook as it was the only space he could find at short
notice. Once again, let your mind write whatever it wants to write,
but keep it going for the full fifteen minutes. She even suggests if
really stuck starting with 'I'm finding this exercise really
difficult because...' and going on from there.
As
she notes, there will be plenty of excuses to change the time, make
it a bit later, do it the next day because you are too busy/stressed
out/tired etc. But no. Don't listen. It is your career as a writer at
stake. Do not miss even one session or put it off by as much as five
minutes. It's just for a month. And yes, some of your friends/family
may believe you are strange as you keep walking off in the middle of
conversations. But I wouldn't worry. If you really succeed as a
writer, you will only become even stranger, so it is good that they
get used to the idea now.
The
thing to note with this exercise is to try and pick a different time
everyday. You are trying to train your creative youth to produce on
command, any time, any where.
So,
set a time frame (eg. a few weeks) and commit to doing these two
exercises.
At
the end you will have trained yourself to do two things:
The
first exercise, if you kept increase the amount your wrote, should
have trained you to sit down for extended periods of time and write
and just keep writing. It is like Dory from Finding Nemo sings 'just
keep swimming, just keep swimming...'. The biggest necessary talent
for a writer is to just keep writing.
You
should also have found that despite all expectations or feelings, you
can make your mind write on command anywhere, anytime. It will have
grumbled at first and possibly not churned out a great deal of
anything very good. But you should have found that it churned out
something. And as you went along, it grumbled less and churned out
more.
Also,
at the end, you should be able to find out the following things about
yourself as a writer:
First,
if you couldn't do it, if you found excuses came up too frequently,
that you skipped your debt of honour, according to Dorothea (and
while it is harsh, I agree), give up the idea of becoming a writer.
You might be technically very good, but you do not love it enough.
Most writers agree that sitting down is hard, but if even when you
have settled on a time and only have to do it for fifteen minutes you
still can't make yourself, you would be happier doing something else.
As
another side point, as an emerging writer, I often hear/read people
who say that you should try to be anything else before being a
writer, or that you have to love it more than anything else. I don't
entirely agree with these. First of all, I think the act of
writing and the self discipline involved is good for you even if you
don't ever get anything published. I wouldn't give up my day job
without proof I'm going to earn money, but if you have ever thought
about writing start it just because it can be fun.
Then,
to the second comment I say 'pah.' Writing is work like most other
things. No one says 'don't exercise unless you really, really feel
like.' How many people come home from a long day at work and think
'oh yah, an hour at the gym' initially? Once you realise the high
that exercise can give, once you have made it habit, then you can
think 'yah', but before that you just have to go because you know you
will feel better afterwards. I find writing very much the same.
Afterwards I feel fantastic, before... well, I could read, or watch
TV, or just sleep. So, do not be discouraged if you don't immediately
jump into writing every day. However, if you can't make yourself do
it even when you have said it's only for fifteen minutes, I do
recommend you find something that brings you more joy.
Second,
you now have a month's worth of writing on whatever your mind wanted
to focus on, which you shouldn't have touched or re-read. Now is the
time to do that. Go through and note what you write when there is no
directive other than to write. Dorothea suggests that this indicates
what you naturally like to write and will show the style and type of
writing you could do. If you enter into longer descriptions, setting
up longer plot lines, or diffuse character descriptions, then your
natural style of writing is aimed more towards novels (which doesn't
mean you can't or shouldn't write short stories, but that you might
be happier writing novels). On the other hand, if you enjoyed doing
short character studies, describing small scenes etc., possibly short
stories is your natural medium, though you can train yourself to
write out longer scenes of course.
So,
if you are thinking of becoming a writer, or are a writer but you're
having trouble with actually writing, I highly recommend these
exercise. Obviously my writing challenge is allowing me to do much
the same in a different way. By setting a word target that so far out
there, it has made me really stretch myself. I used to find doing
1,000 words a day really difficult. Now, the first 4,000 or so are
super easy, it's just the last 4,000 or so I struggle with. But just
think what an improvement that is over 1,000!
Brief
summary of my day yesterday. Wrote pretty well in the morning, got
just under 3,000 words done before work. But then came home and
forced myself to the gym and felt better after that but honestly
just needed an evening of reading. With my writing schedule, which
I'll outline next post, I'm struggling to get enough input to balance
with my output. I've only been able to snatch 10 mins here and 10
mins there to read. And I got to the stage where I just wanted to
soak in a book for a while. So I did. And today, I feel much better.
Good
luck with the exercises, and if you need more explanation, I
recommend reading Dorothea herself.
And
feel free to let me know how you go at the end of it! If people
wanted to set up a little group doing the challenge, I would
encourage it. You could even make badges that said something like
“Excuse me, I'll be disappearing at 4.30pm, please don't be
surprised or offended, but I'm writing.” Or “Do Not Disturb,
Writing in Progress”.
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